Posin' Ivy

I realized I hadn't posted this piece at all when I originally made it. It's from class I had last fall about learning how to use Adobe Illustrator. It's inked, colored, and laid-out in Illustrator, after scanning in hand-drawn pencil drawings. The image depicts a simple first aid procedure about how to treat poison ivy (besides praying for it to go away quickly). That's really all there is to say about it; it's a pretty simple way to get acquainted with the program.


Also, Helvetica.

Think Floyd

My Editorial class is winding down, and I'm getting close to resolving the journal cover I've chosen to create for it. For the assignment, we searched through various journals, or thought up topics of interest, and chose one that interested us. I chose synaesthesia, which is a topic that has always interested me. Synaesthesia is a condition in a small group of people in which one sensation being triggered (in the example below, sound) automatically triggers another secondary sensation (color, below) at the same time. I think it's a really fascinating neurological condition, but I don't want to get into that here.

After going through several (very different) iterations, I ended up with the image below. I've always liked the iconography of Pink Floyd's "Dark Side of the Moon" album cover, and I was really happy to work with it. I put this into a cover template that I re-created in Adobe Illustrator of the journal Neuron.



I started the piece by painting it in oil paint on a 22"x28" canvas board. Then I photographed that in with a high-resolution digital SLR and digitally airbrushed it a bunch until I got it close to how I wanted it to look. What's uploaded above is not my final version, but I really wanted to upload something new, so I'll just replace it with the next version after I have gone through my critique and modify it.

I found some old sketches

I'll hopefully have some new work to put up soon, but in the mean time I found a few old pen and marker sketches from undergrad, when I was going through otherwise empty sketch books. I really need to use markers again, they are really fun.


After having brought around a sketchbook/journal for my spring break in Spain in 2008, and doing several drawings per day in it, I decided I wanted to do the same when I went to Nice for a the weekend. Unfortunately, this is the only sketch I got around to doing. It's of Plage Mala, the first beach of the weekend. For full immersion, play "Hips Don't Lie" by Shakira on repeat for hours, because that's what the boat in the corner was doing. The sketch was done in micron pigment pens.



I probably drew toward at the end of sophomore year, in the spring of 2007. Possibly early junior year. It was in an old sketchbook I used for notes in an anatomy drawing class. Basically just a few quick marker sketches at the outside (read: free) part of the Boston Aquarium. Done with micron pigment pens and gray Prismacolor markers of varying opacity.



This was done around the same time as the previous sketch. It's from some random day when I was walking around Boston and decided to draw a duck from the Public Garden.

I'm not claiming these are great sketches, but I'm always excited when I find old sketches, and wanted to post something.

If I drank coffee it would be out of an 'Ugly Mug'

So in the cold cold month of February I had my several week '3-D/Sculpture' class. It was supposed to end in the middle of last month, but (again) because of the massive snowstorm we got here in Baltimore, the finishing touches were delayed a month. Essentially the class was about getting exposure to working with three dimensional media for medical topics.


The first project was very similar to one I had in undergrad, which was to make a plaster cast of my face. In this case, I made a patina that is supposed to resemble oxidized copper, even though the piece itself is cast in gypsum. I had to remodel my nostrils, part of my lower lip, and my eyebrows with metal carving tools and drills, because they were not cast as perfectly as they should have.



The main bulk of this class was to create either a medical model or a prosthetic (my professor for this course is an Anaplastologist in my department). I chose to make a nasal prosthetic, because I was really interested in the process, having never seen it done before. I won't go into much detail, but basically the final prosthesis I made is a modification of my own nose to fit a hypothetical "patient" model who is missing one for one reason or another. The prosthetic is made of several layers of colored, translucent silicone, with extrinsic coloring on top as well to match the skin tone of the "patient". If this were to be for a real person, adhesive would be spread around the paper thin edges and it would fit snugly against the patient's skin so that is was almost imperceptible to a random passerby. I am generally happy with how the prosthetic came out, and have definitely learned a whole bunch from the experience.

Digital Love

Hey everyone. I realized that I'm going to be starting some new projects soon, which means I won't have anything substantial to update for a little bit, so I wanted to get something up in the meantime.


This is a digital painting, done in Adobe Photoshop CS4. It was practice for a larger assignment that will be posted in the near future. The whole point was to get used to Photoshop as a painting medium, and to accurately reproduce an autopsy photograph, particularly different tissue types and realistic colors. It really is that colorful inside the human body. So, that's all this assignment was, really. Mindless fun, no instruction or teaching purpose, just practice.

Water ... and colors ... together?

I just started my watercolor class last week. The first assignment was to get used to painting with watercolors (I have never done a serious watercolor painting before). We had to pick a plant and paint it. At the supermarket I picked up the last remaining tomatillo in the cleaned-out produce section the night before the first crazy Baltimore snowstorm 2 weekends ago.


There's not much to say about it ... it's a tomatillo!

Pen & Ink

I just finished up my Pen and Ink class a little while ago, so here are some of the pieces that came from that:

The first assignment (to be added as soon as I scan it) was to get used to working with flexible-nib pens. The goal was to draw and ink on scratchboard, an image of our hand holding some sort of object. I chose a corn cob because I thought it would be fun to draw. It was, mostly, but got kind of tedious doing each kernel after a while.



The next assignment was to translate an existing tone illustration (we were assigned charcoal and graphite, fully-rendered pictures from old anatomy textbooks) into pen and ink. So that's what I did. I'll post a comparison shot of the original soon, because they are actual pretty different.

The last, and major, assignment for the course was to take an existing anatomy sketch that we had drawn from a cadaver during a previous course, and to use that as a basis to make an anatomical illustration. This is of the internal anatomy of a kidney, which was based on an earlier sketch, but completely re-drawn in a different perspective and cleaned up to make it look more consistent and normal. I wanted to draw it bisected, then opened up like a book, with ureter on one side and vasculature on the other.

This was actually done with Micron pens rather than flexible-nib, mostly in the interest of saving time. Both this and the one above were done on translucent vellum.